Musical notation started to take form, allowing the idea of transmitting music and having it reproduced more faithfully. In the 1470s the first impact of the printing press was felt in music. Both provided many new compositional techniques, the most vital being modal rhythm, essentially irregular notes arranged in a regular pattern. These were later developed by two of the earliest known composers, first by Léonin and later Pérotin. Although the Florid Organum of St Martial was the most significant on later organum, giving way to the famous Notre Dame School, the English organum favored the interval of the third, which would become the path through which modal music would lead to major/minor tonality, but more on that later. Once again different centers experimented in different approaches to organum, perhaps the most significant was the English. Gradually more lines were introduced to the music, moving through Organum. With this standardization developments started to occur. ![]() Here again listen to the “Gloria” but done as Gregorian chant. This came to replace almost all local forms of chant. The result was Gregorian chant, derived from mixing the chant styles of the two main European centers Rome, the center of the church, and Paris, the political center. This began to change with the standardization of the mass and chant by the Catholic Church in 1011 A.D.
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